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To
the Khmer people, Angkor Wat is more than just an ancient pile of
stones, it is more than just the remains of a highly advanced kingdom,
it is more than just a tourist attraction - to the Khmer it is a
symbol of hope.
For over five hundred years, from the coronation of Jayavarman II
in 802 AD, the Khmer Kingdom was the most significant influence
upon Southeast Asian development, expanding exponentially at the
expense of rival neighbours - Cham, Viet, Burmese and Siamese. The
first royal city of Angkor was built by Jayavarman's 10th-century
successor, Yasovarman I, and this saw the beginning of the empire's
golden age. It was not until the early twelfth century, and the
rule of Suryavarman II that the empire was to reach its peak, and
the construction of the magnificent 65-metre tall towers of Angkor
Wat was to take place.
After
being driven out by the Cham in 1177, the Khmer returned to their
city with a new king - Jayavarman VII - a new religion - Mahayana
Buddhism - and even higher aspirations for the development of Angkor.
The Cham were routed, and Jayavarman VII began construction of the
9-square kilometre Angkor Thom and the 216 faces of the Bayon temple.
By the end of its predominance in the region, the Khmer empire had
constructed over 70 huge temple complexes at Angkor, spread across
200 square km. Why exactly the empire fell into its 200-year decline
is still somewhat of a mystery, however the cataclysm that was to
end it all came in 1431 when Siamese invaders ripped Angkor apart,
killing and enslaving much of the population, and stripping the
city of its wealth. The Khmer empire was never to recover, remaining
a vassal state of one or other overloard for over five hundred years.
Today, the national flag of Cambodia carries a symbol representing
the five giant towers of Angkor Wat. It is a symbol of the Khmer's
independence, reminding them of what can be achieved. It is a symbol
of hope.
Angkor
Wat - Built to honor the Hindu god Vishnu, is the world's
largest religious building and took some 50,000 artisans, workers
and slaves, and nearly 40 years, to complete. The temple forms a
rectangular enclosure measuring 1,500 metres by 1,300 metres surrounded
by a moat 200 metres wide. The main entryway to Angkor Wat is a
paved avenue nearly half a kilometre long, ornamented with balustrades
and fringed by artificial lakes.
Inside the outer walls, the structure rises over three levels to
a central core topped by five almost pineapple-shaped towers. Virtually
every surface in the maze of chambers and courtyards is richly decorated
with low-relief scenes of legends, wars and everyday life, enhanced
by carvings of nearly 2,000 apsaras, or celestial dancers. The amazing
structure as a whole is best viewed in soft light. Somerset Maugham
wrote in 1930: "It needs the glow of sunset or the white brilliance
of the moon to give it a loveliness that touches the heart."
The
Bayon - At the centre of Angkor Thom (literally "Great
City"), which forms the heart of the Angkor complex as it is
today. This inner city is surrounded by a moat, and approached at
the four cardinal points via huge stone gates and causeways flanked
by statues of gods and giants. The Bayon forms a three-tiered pyramid
with 54 towers, each dominated by over 200 huge, 4-metre high, mysterious
faces facing out to the north, south, east and west. Each mystically
serene countenance, with closed eyelids and faint smile, represents
a Bodhisattaya (fully enlightened being) who delays entry into Nirvana
to aid the spiritual development of others.
The structure is rich in decoration, detailing scenes from battles,
religious rituals, and everyday life. On approaching from a distance,
it resembles a rather formless initially disappointing jumble of
stone, but inside, the visitor discovers a maze of galleries, towers
and passageways on three different levels. Under the sightless gaze
of the ever-present faces, it is here, particularly if alone, that
many tourists experience a feeling of profound spiritual awe.
There are several other sites of interest within Angkor Thom, including
the Terrace of the Elephants and the Terrace of the Leper King.
At its height, the city had a population of nearly one million,
and its 9 square km area was comparable in size to anything in Europe
at that time.
Ta
Promh - If Angkor Wat and the city of Angkor Thom are best
known for grandeur and majesty, then to the east, the temple and
monastery of Ta Promh wins hands down for sheer dramatic effect.
Unlike most other monuments, Ta Promh has been left the way it was
originally found. The ancient structure is thus still gripped by
massive strangler fig and banyan tree roots ("spongs")
giving the feeling of discovering the archeological treasure for
the first time.
Faced with this extraordinary image, it is easy to relive the emotions
of the French naturalist Henri Mouhot when he came across it hidden
in the jungle in 1860. At its peak, over 70,000 people, including
high priests, monks, assistants, dancers and laborers, populated
this vast 600-room monastery. The structure measures 145 by 125
meters and contains a maze of courtyards and galleries, many impassable
because of the dense overgrowth of creepers and roots.
Prah
Kahn - Another temple that has been left to creeping jungle,
with huge trees and multi-colored lichen infiltrating the structure's
stone corridors and often gloomy interiors. Although it is not as
visually arresting as Ta Prohm, this fascinating temple is formed
in a cross by a long 200-metre central passageway cut by another
wide perpendicular corridor. Both of these have networks of smaller
passages, which themselves open to breezeways, courtyards, and rooms
of all sizes. Although the central portion is fairly clear, exploring
the outer passageways becomes increasingly adventurous with fallen
stones, surreal looking tree roots, and tiny apertures leading into
almost pitch dark interiors.
Banteay
Srei - Approximately 25 kilometres from the main complex,
this relatively small 10th century monument in pink sandstone is
dedicated to Shiva. Its perfectly proportioned decoration and detail
with exquisite sculptures, lintels, and friezes, makes it one of
the oldest and most aesthetically beautiful. Almost every surface
is a masterpiece of superb detail, each one it seems, more beautiful
than the one before.
Phnom
Bakheng - Built on the highest hill in the area and offering
spectacular views, especially at dawn and sunset, this small but
attractive temple makes an ideal start or end to the day's sightseeing,
although most tourists congregate here toward dusk.
East
Mebon Temple & The Baray Lakes - One of the Khmers' most
notable hydrological accomplishments were the West and East Barays,
huge, perfectly rectangular artificial lakes covering 14 and 16
square km respectively, and used to irrigate thousands of acres
of surrounding farmland. A temple was built in the middle of each
lake, and since East Baray was drained, the East Mebon Temple is
now easily visited. West Baray (2 km wide & 8 km long) is still
filled with water. The boat service is accessible to the west Mebon
Temple which is in the middle of the west Baray. East Mebon, however,
is a fascinating site, best known for the almost life-size stone
elephants on the corners of its tiers. Since each one appears to
have been hewn from a single block of stone, the task of carving
and transporting such huge pieces must have been tremendous. Smaller
stone figures flank the stairways leading up to the central elevated
platform. From here, the bed of the lake, now fertile paddy, stretches
below you in every direction.
The Ruluos Group - Lying approximately
10 km from Siem Riep town, is a cluster of three 9th century temples,
namely Prah Ko, Bakong and Lolei. Being the oldest in Angkor, and
ostensibly the site of the capital at that time, they are interesting
in their own right, particularly Bakong, which is the best preserved
of the three. Stairways lined with stone lions lead up the five
tiers of the pyramid shaped structure, terminating in a sanctuary
on top. Eight small sanctuaries also encircle the base, an architectural
concept common to many other Angkor temples.
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